Ahead of World Content Market – Moscow 2026, we asked One Life Studios (India) about their content offering and business objectives for the market.
— What content are you bringing to World Content Market – Moscow this year?
At One Life Studios, we are bringing an expanded and diversified catalogue this year, building on our strong foundation of successful titles in the region such as Porus, Chandragupta Maurya, and Baal Krishna.
Our current slate includes premium long-form dramas and mythological epics such as Laxmi Narayan, Devi Adi Parashakti, Suryaputra Karn, Porus, and Chandragupta Maurya, along with strong family and romance dramas like Dil Hi Toh Hai, Azhagu, and Kalyana Parisu.
We are also introducing a focused slate of short-form and micro-drama content, including titles such as Humara Vinayak (a 7-minute format), along with digitally driven series like Lovely Lolla, Dil Ko Raffu Kar Lei, Broken But Beautiful, and Karle Tu Bhi Mohabbat, which cater to evolving consumption patterns and platform demand.
In addition, we are now expanding our offering by aggregating select Korean content as part of our broader international catalogue.
— Which titles do you believe will resonate most with buyers in Russia and the CIS?
Historical and mythological epics such as Porus, Chandragupta Maurya, and Suryaputra Karn continue to resonate strongly in the region due to their scale and universal storytelling.
At the same time, family dramas and emotionally driven relationship stories like Dil Hi Toh Hai and Lovely Lolla, along with short-format content such as Humara Vinayak, are well positioned for both traditional broadcasters and digital platforms.
— What are your main business objectives at the market?
Our focus at WCM Moscow this year is:
- Expanding syndication partnerships across Russia and CIS
- Exploring co-production opportunities
- Actively acquiring movies and series from Russia and neighboring CIS territories to build a strong two-way content pipeline