Iranian documentary «When There Is No Dream», already acclaimed on the international circuit, is stirring emotional waves in Russia as it explores an awe-inspiring journey through the Siberian Arctic—a landscape close to Russian hearts and history.
Directed by Saeed Dashti, the film follows two childhood friends and professional divers from Iran who embark on a dream expedition to the icy waters of the Russian Arctic. But just ten days before departure, an unexpected crisis threatens to derail the mission and test their lifelong bond.
Already honored by the AIPS Sport Media Awards 2024 and officially selected at the 14th Iran International Sport Film Festival, «When There Is No Dream» is now reaching wider audiences who connect deeply with its themes of resilience, brotherhood, and the unforgiving beauty of the Russian Arctic.
Filmed partly in Yakutia and near the Laptev Sea, the documentary captures not just the brutal majesty of Russia’s northern wilderness but also the emotional frost and fire within the human soul. Using minimal narration and immersive visuals, the film lets the stark silence of ice and water speak volumes.
What makes «When There Is No Dream» especially moving for Russian viewers is its cultural respect for the land. Rather than portraying the Arctic as a hostile frontier, Dashti’s lens treats it as a sacred and mysterious force—echoing Russian filmmakers’ own cinematic relationship with nature.
Director Saeed Dashti, who holds a master’s degree in directing from Islamic Azad University and is also a university lecturer, combines his background in engineering and theater to shape a film that’s technically precise and emotionally raw.
«Russia was more than a location for us—it was a presence, a challenge, and ultimately, a kind of third character in our story,» Dashti said in an interview. «I believe our nations share a spiritual endurance, a way of walking toward the impossible with dignity. That’s why the Russian Arctic called to us.»
With growing interest from Russian broadcasters, educational institutions, and environmental organizations, «When There Is No Dream» could be well-positioned for future screenings across Russia’s Arctic regions, including cities such as Murmansk, Arkhangelsk, and Yakutsk.
Initial conversations could be pursued with Russian polar research institutions to explore opportunities for collaboration around themes of shared Arctic heritage and environmental awareness.
The film’s unique blend of non-fiction sports storytelling and personal sacrifice also presents potential for inclusion in youth-focused educational programs in Russia—particularly those that highlight environmental responsibility, mental resilience, and the spirit of exploration.